Waiting for Prince Charming?” “Aren’t all women? And you’re waiting for Cinderella.” “Actually,” Jared said slowly, “I’m rather hoping to find the Evil Queen. I think she’d be much more fun. – Jude Deveraux
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Fruits fail and love dies and time ranges;Thou art fed with perpetual breath, and alive after infinite changes,And fresh from the kisses of death,Of langours rekindled and rallied, Of barren delights and unclean,Things monstrous and fruitless, a pallidAnd poisonous queen. – Algernon Charles Swinburne
In choosing an opening plan players think most of all of harmonious development for the pieces, but sometimes leave the development of the queen out of their considerations. Yet the Queen is the most valuable and important piece and the whole outcome can depend upon how successfully she plays her
The easy glamour of the French Riviera in the late 1960s – inspired by Romy Schneider’s character in La Piscine – mixed with garden elements. Blueprint, botanical, lattice, Queen Anne’s lace and folly prints are paired with cleaner silhouettes and proportions in a fresh palette of green, white and coral.
There still shines the most important nuance by virtue of which the noble felt themselves to be men of a higher rank. They designate themselves simply by their superiority in power (as “the powerful,” “the masters,” “the commanders”) or by the most clearly visible signs of this superiority, for example,
Bhutto represents everything the fundamentalists hate – a powerful, highly-educated woman operating in a man’s world, seemingly unafraid to voice her independent views and, indeed, seemingly unafraid of anything, including the very real possibility that one day someone might succeed in killing her because of who she is. – Benazir